Over the years, whether painting in oils or in watercolour, I have found myself returning to the intimate domestic landscape for my subject matter. My influences have included American painters Janet Fish and Harriet Shorr, as well as the Canadian high realist Mary Pratt. Within this subject area I have been attracted to both a representational depiction of three dimensional space, together with one that is more imaginary or surreal.

My landscapes are infused with light and colour. Light defines the forms, and colour offers infinite choice and mood. The objects in the landscape—flowers, fruit, containers, etc., are chosen as vehicles of light, form, and colour, as well as for their symbolic value. Flowers have a particular attraction for me, as throughout their life cycle they assume postures which can mirror those of people, expressing the same characteristics of strength and fragility. The garden context is a simple metaphor for the Garden of Eden, containing good and evil, life and death.

Occasionally a painting may contain an element of homage to a respected painter – Matisse perhaps, or Botticelli. Or a wry reference to a favourite food, as in my sushi series.

Some of my paintings contain detailed floral backgrounds which allude to the black soil and floral combinations found in the domestic kitchen garden. In these paintings I am acknowledging my regard for folk art and what is generally regarded as naïve painting. This type of work often resonates with me in a way that more sophisticated work does not. Perhaps it is simply the personal made universal.

The medium of watercolour has traditionally been associated with what a somewhat understated palette. However I gravitate towards stronger colour and an expressive approach. In my pre-occupation with light, as well as colour, I am trying to capture a luminosity which is unique to the medium.